Pine trees reflecting on a lake in Yellowstone

Trout Lake, Yellowstone National Park, Wyoming

Serenity

We weren’t there for the lake. My brother-in-law and I had come up early to look for wolf activity and found tracks back beyond Trout Lake and nothing else, which is most of what looking for wolves gets you.

The lake on the way back was dead flat. End of July, everything still at its greenest, and a patch of grass on the far bank lit up lime against all that dark conifer.

I shot it at 150mm instead of going wide for two reasons. The first was that green — compressed, it reads as the subject rather than a detail you’d miss. The second was housekeeping: there was flotsam pooling on the surface just outside the left of the frame, where the lake drains, and a longer lens let me cut it rather than clone it out afterwards.

We had the place to ourselves. Passed a few people coming up as we were walking down.

Nikon Z 7II · Sigma 150-500mm · 150mm · f/5 · 1/160 sec · ISO 360

Limited Edition Print

Available as a limited edition fine art print, produced on demand in four finishes. Full sizing and materials are on the prints page.

Editions & certificates

Each image is released as a limited edition of 50 — that's 50 pieces total, across every size and every finish combined, not 50 of each. When an edition closes, that image is retired and never offered as a print again. A few signature images are released in smaller editions.

Outside that count, I keep one Artist's Proof of each image for myself. It's occasionally available by private request, at a premium.

Every piece is numbered and comes with a matching signed and numbered Certificate of Authenticity. Paper prints are signed by hand before they ship; the face-mounted pieces travel straight from the lab to you, so the certificate carries the signature rather than the panel.

As an edition sells down, the price steps up. The earliest pieces of an edition carry the lowest price.

Full details on The Prints page →

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Every piece is made to order. Choose a size and finish and I'll confirm availability, the price in effect for that edition, and timing.

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Which finish should I choose?

Lumachrome Face-mounted to TruLife acrylic

The deepest, most luminous finish I offer. It's especially suited to backlit scenes, where the glow comes about as close to the real light as a print can get. Arrives ready to hang.

Best for: Deep color, dramatic light, anything you want to stop people in their tracks.

Chromaluxe Dye-sublimation on aluminum

The most durable finish, with color that reaches beyond what standard prints can show, so bright scenes, water, and big skies come off the panel. Arrives ready to hang.

Best for: Bright scenes, water, snow, big skies. Also the most durable option.

Supralume High-gloss canvas on aluminum composite

Canvas texture with the fine detail and deep blacks of a gloss print. Arrives ready to hang.

Best for: Texture and detail — rock, bark, forest, anything intricate.

Fine Art Paper Canson Infinity Rag Photographique, 310 gsm cotton

100% cotton rag, hand-signed, and shipped unframed for your own framer.

Best for: Quieter work, black and white, and anyone with a framer they trust.

Full details on The Prints page →

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Prefer email? hello@jeradrainesphotography.com

Frame 13 of 19

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