Aspens turning near Cedar City, Utah, their trunks cutting a zigzag through the fall color

Cedar City, Utah

Zigzag

Peak aspen colour on a circuitous ranch road high in the mountains of southern Utah — about the best way I know to spend an autumn day. I love the zig-zag fence and the cattle-manicured field of aspens receding into the distance.

In my experience, red-leafed aspens are a rarity — they’re almost always gold, so I always consider it lucky when I find a patch. A few miles down the road we happened to be in the right place at the right time to help a rancher round up a stray cow that was going for an evening jog up the road. Lucky!

iPhone 15 Pro · 7mm · f/1.8 · 1/802 sec · ISO 64

Limited Edition Print

Available as a limited edition fine art print, produced on demand in four finishes. Full sizing and materials are on the prints page.

Editions & certificates

Each image is released as a limited edition of 50 — that's 50 pieces total, across every size and every finish combined, not 50 of each. When an edition closes, that image is retired and never offered as a print again. A few signature images are released in smaller editions.

Outside that count, I keep one Artist's Proof of each image for myself. It's occasionally available by private request, at a premium.

Every piece is numbered and comes with a matching signed and numbered Certificate of Authenticity. Paper prints are signed by hand before they ship; the face-mounted pieces travel straight from the lab to you, so the certificate carries the signature rather than the panel.

As an edition sells down, the price steps up. The earliest pieces of an edition carry the lowest price.

Full details on The Prints page →

Request a quote

Every piece is made to order. Choose a size and finish and I'll confirm availability, the price in effect for that edition, and timing.

Buying for a client? See the trade program.

24 × 36″ is the largest this image prints. Need bigger? Ask in the details below.

Which finish should I choose?

Lumachrome Face-mounted to TruLife acrylic

The deepest, most luminous finish I offer. It's especially suited to backlit scenes, where the glow comes about as close to the real light as a print can get. Arrives ready to hang.

Best for: Deep color, dramatic light, anything you want to stop people in their tracks.

Chromaluxe Dye-sublimation on aluminum

The most durable finish, with color that reaches beyond what standard prints can show, so bright scenes, water, and big skies come off the panel. Arrives ready to hang.

Best for: Bright scenes, water, snow, big skies. Also the most durable option.

Supralume High-gloss canvas on aluminum composite

Canvas texture with the fine detail and deep blacks of a gloss print. Arrives ready to hang.

Best for: Texture and detail — rock, bark, forest, anything intricate.

Fine Art Paper Canson Infinity Rag Photographique, 310 gsm cotton

100% cotton rag, hand-signed, and shipped unframed for your own framer.

Best for: Quieter work, black and white, and anyone with a framer they trust.

Full details on The Prints page →

No payment now — I'll reply with confirmation and next steps.

Prefer email? hello@jeradrainesphotography.com

Frame 19 of 25

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