Jerad Raines Photography
Lone pine in a summer wildflower meadow, Yellowstone National Park

Yellowstone National Park

Meadow Watcher

A lone tree that I stumbled across on a scouting trip to look for wolf-sign. Beautiful, standing alone in a field of summer wildflowers.

Nikon Z 7II · Sigma 150-500mm · 150mm · f/5 · 1/160 sec · ISO 90

Limited Edition Print

Available as a limited edition fine art print, produced on demand in four finishes. Full sizing and materials are on the prints page.

Editions & certificates

Each image is released as a limited edition of 50 — that's 50 pieces total, across every size and every finish combined, not 50 of each. When an edition closes, that image is retired and never offered as a print again. A few signature images are released in smaller editions.

Outside that count, I keep one Artist's Proof of each image for myself. It's occasionally available by private request, at a premium.

Every piece is numbered and comes with a matching signed and numbered Certificate of Authenticity. Paper prints are signed by hand before they ship; the face-mounted pieces travel straight from the lab to you, so the certificate carries the signature rather than the panel.

As an edition sells down, the price steps up. The earliest collectors of an image always pay the least for it.

Full details on The Prints page →

Request a quote

Every piece is made to order. Choose a size and finish and I'll confirm availability, the current edition price, and timing.

Which finish should I choose?

Lumachrome Face-mounted to TruLife acrylic

A layered transparency print, face-mounted to anti-reflective acrylic. The image is printed on clear film over a white reflective base, so light passes through the emulsion twice — inbound and outbound — before it reaches the eye.

Best for: Deep color, dramatic light, anything you want to stop people in a hallway.

Chromaluxe Dye-sublimation on aluminum

Under heat and pressure, the dye passes directly from solid to gas and diffuses into a polymer coating bonded to the panel. The image ends up within that coating rather than sitting on top of it.

Best for: Bright scenes, water, snow, big skies. Also the most durable option.

Supralume High-gloss canvas on aluminum composite

Canvas with the gloss integral to the print rather than varnished on afterward, surface-bonded to an aluminum composite panel. It keeps canvas texture without the detail loss and reduced black density that matte canvas normally costs.

Best for: Texture and detail — rock, bark, forest, anything intricate.

Fine Art Paper Canson Infinity Rag Photographique, 310 gsm cotton

A 310 gsm, 100% cotton rag with a smooth matte surface and no optical brighteners. The most traditional of the four, and the only one I sign by hand before it ships.

Best for: Quieter work, black and white, and anyone with a framer they trust.

Full details on The Prints page →

No payment now — I'll reply with confirmation and next steps.

Prefer email? hello@jeradrainesphotography.com

Frame 16 of 82

More from National Parks

View the full gallery
Water going over the lip in Yellowstone National Park, caught mid-fall Swan Dive Yellowstone National Park 01 A brown bear sleeps off a full belly on the gravel at Katmai National Park, Alaska Salmon Dreams Katmai National Park, Alaska 02 High canyon walls and winding valley of Zion The Expanse Zion National Park, Utah 03 Artist's Palette in Death Valley National Park Melting Pot Death Valley National Park, California 04 Water running in a crack of stone in Zion National Park in autumn Arterial Zion National Park, Utah 05 A brown bear rests on the bank at Katmai National Park, Alaska, head turned toward the sound of the river Did Somebody Say Salmon? Katmai National Park, Alaska 06