Jerad Raines Photography
Neist Point and lighthouse on Isle of Skye Scotland

Isle of Skye, Scotland

Beacon

Neist Point is the most westerly point on Skye, and perched at the very end is Neist Point Lighthouse. I expected this place to be gorgeous, but the reality was otherworldly. It seemed like a setting out of a Tolkien fantasy, and it was truly hard to fathom that a place so picturesque actually exists. This shot was taken about half an hour before sunset, with some storm clouds moving in and blocking the golden sunlight from about half the scene. Shortly after taking this, the clouds completely blotted out the sun and the rain cut loose on us.

Some fun facts: Neist Point Lighthouse was built in 1900 when it was a manned lighthouse. Since then the internal light system has been updated to an automated system that no longer requires daily maintenance. The light is 43 meters above sea level and can be seen up to 16 nautical miles offshore.

Nikon D7200 · Tamron 10-24mm · 21mm · f/14 · 1 sec · ISO 100

Limited Edition Print

Available as a limited edition fine art print, produced on demand in four finishes. Full sizing and materials are on the prints page.

Editions & certificates

Each image is released as a limited edition of 50 — that's 50 pieces total, across every size and every finish combined, not 50 of each. When an edition closes, that image is retired and never offered as a print again. A few signature images are released in smaller editions.

Outside that count, I keep one Artist's Proof of each image for myself. It's occasionally available by private request, at a premium.

Every piece is numbered and comes with a matching signed and numbered Certificate of Authenticity. Paper prints are signed by hand before they ship; the face-mounted pieces travel straight from the lab to you, so the certificate carries the signature rather than the panel.

As an edition sells down, the price steps up. The earliest collectors of an image always pay the least for it.

Full details on The Prints page →

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Every piece is made to order. Choose a size and finish and I'll confirm availability, the current edition price, and timing.

Which finish should I choose?

Lumachrome Face-mounted to TruLife acrylic

A layered transparency print, face-mounted to anti-reflective acrylic. The image is printed on clear film over a white reflective base, so light passes through the emulsion twice — inbound and outbound — before it reaches the eye.

Best for: Deep color, dramatic light, anything you want to stop people in a hallway.

Chromaluxe Dye-sublimation on aluminum

Under heat and pressure, the dye passes directly from solid to gas and diffuses into a polymer coating bonded to the panel. The image ends up within that coating rather than sitting on top of it.

Best for: Bright scenes, water, snow, big skies. Also the most durable option.

Supralume High-gloss canvas on aluminum composite

Canvas with the gloss integral to the print rather than varnished on afterward, surface-bonded to an aluminum composite panel. It keeps canvas texture without the detail loss and reduced black density that matte canvas normally costs.

Best for: Texture and detail — rock, bark, forest, anything intricate.

Fine Art Paper Canson Infinity Rag Photographique, 310 gsm cotton

A 310 gsm, 100% cotton rag with a smooth matte surface and no optical brighteners. The most traditional of the four, and the only one I sign by hand before it ships.

Best for: Quieter work, black and white, and anyone with a framer they trust.

Full details on The Prints page →

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Prefer email? hello@jeradrainesphotography.com

Frame 9 of 19

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