Jerad Raines Photography
Water running in a crack of stone in Zion National Park in autumn

Zion National Park, Utah

Arterial

Water flowing through "The Crack" in Zion National Park. Made particularly special by the mix of autumn leaves littering the rocks and adding pops of red and yellow color.

Nikon D850 · Nikkor 16-35mm · 35mm · f/11 · 0.8 sec · ISO 64

Limited Edition Print

Available as a limited edition fine art print, produced on demand in four finishes. Full sizing and materials are on the prints page.

Editions & certificates

Each image is released as a limited edition of 50 — that's 50 pieces total, across every size and every finish combined, not 50 of each. When an edition closes, that image is retired and never offered as a print again. A few signature images are released in smaller editions.

Outside that count, I keep one Artist's Proof of each image for myself. It's occasionally available by private request, at a premium.

Every piece is numbered and comes with a matching signed and numbered Certificate of Authenticity. Paper prints are signed by hand before they ship; the face-mounted pieces travel straight from the lab to you, so the certificate carries the signature rather than the panel.

As an edition sells down, the price steps up. The earliest collectors of an image always pay the least for it.

Full details on The Prints page →

Request a quote

Every piece is made to order. Choose a size and finish and I'll confirm availability, the current edition price, and timing.

Which finish should I choose?

Lumachrome Face-mounted to TruLife acrylic

A layered transparency print, face-mounted to anti-reflective acrylic. The image is printed on clear film over a white reflective base, so light passes through the emulsion twice — inbound and outbound — before it reaches the eye.

Best for: Deep color, dramatic light, anything you want to stop people in a hallway.

Chromaluxe Dye-sublimation on aluminum

Under heat and pressure, the dye passes directly from solid to gas and diffuses into a polymer coating bonded to the panel. The image ends up within that coating rather than sitting on top of it.

Best for: Bright scenes, water, snow, big skies. Also the most durable option.

Supralume High-gloss canvas on aluminum composite

Canvas with the gloss integral to the print rather than varnished on afterward, surface-bonded to an aluminum composite panel. It keeps canvas texture without the detail loss and reduced black density that matte canvas normally costs.

Best for: Texture and detail — rock, bark, forest, anything intricate.

Fine Art Paper Canson Infinity Rag Photographique, 310 gsm cotton

A 310 gsm, 100% cotton rag with a smooth matte surface and no optical brighteners. The most traditional of the four, and the only one I sign by hand before it ships.

Best for: Quieter work, black and white, and anyone with a framer they trust.

Full details on The Prints page →

No payment now — I'll reply with confirmation and next steps.

Prefer email? hello@jeradrainesphotography.com

Frame 22 of 82

More from National Parks

View the full gallery
A bison in winter in Yellowstone National Park True Grit Yellowstone National Park 01 Teton Mountain range reflecting in the Snake River Morning Crossing Grand Teton National Park, Wyoming 02 Winding Virgin River in Zion National Park during winter Virgin in the Storm Zion National Park, Utah 03 A brown bear sits chest-deep in the river at Katmai National Park, Alaska, head bowed over the salmon in its paws Bless This Food Katmai National Park, Alaska 04 A waterfall dropping into the green gorge in Yellowstone National Park Yellow Stone Yellowstone National Park 05 Grand Teton mountain and the Snake River Serpentine Grand Teton National Park, Wyoming 06