A brown bear reads the current at Katmai National Park, Alaska, waiting on the next fish

Katmai National Park, Alaska

Searching

I set my tripod just above the waterline. The bear did the same, his head breaking the surface, water streaming from his nose and chin. He looked directly into the lens. Sunlight caught one side of his face while the other fell into shadow; beyond his eyes, the narrow depth of field dissolved everything into softness.

I processed the image in black and white and added a heavy vignette, stripping away everything nonessential. The frame draws toward those eyes. I wanted it to feel less like a wildlife snapshot than an encounter—two creatures quietly sizing each other up across the river.

I called it Searching because I don't know what he was looking for. Perhaps the water, the current, the world beyond me. But watching him, I felt my attention turn inward. Across that narrow, trembling distance, we seemed to be searching for the same thing: recognition, an answer in the other's gaze.

Nikon Z 7II · Nikkor Z 180-600mm + Z TC-1.4x · 840mm · f/9 · 1/2000 sec · ISO 3600

Limited Edition Print

Available as a limited edition fine art print, produced on demand in four finishes. Full sizing and materials are on the prints page.

Editions & certificates

Each image is released as a limited edition of 50 — that's 50 pieces total, across every size and every finish combined, not 50 of each. When an edition closes, that image is retired and never offered as a print again. A few signature images are released in smaller editions.

Outside that count, I keep one Artist's Proof of each image for myself. It's occasionally available by private request, at a premium.

Every piece is numbered and comes with a matching signed and numbered Certificate of Authenticity. Paper prints are signed by hand before they ship; the face-mounted pieces travel straight from the lab to you, so the certificate carries the signature rather than the panel.

As an edition sells down, the price steps up. The earliest pieces of an edition carry the lowest price.

Full details on The Prints page →

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Every piece is made to order. Choose a size and finish and I'll confirm availability, the price in effect for that edition, and timing.

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40 × 60″ is the largest this image prints. Need bigger? Ask in the details below.

Which finish should I choose?

Lumachrome Face-mounted to TruLife acrylic

The deepest, most luminous finish I offer. It's especially suited to backlit scenes, where the glow comes about as close to the real light as a print can get. Arrives ready to hang.

Best for: Deep color, dramatic light, anything you want to stop people in their tracks.

Chromaluxe Dye-sublimation on aluminum

The most durable finish, with color that reaches beyond what standard prints can show, so bright scenes, water, and big skies come off the panel. Arrives ready to hang.

Best for: Bright scenes, water, snow, big skies. Also the most durable option.

Supralume High-gloss canvas on aluminum composite

Canvas texture with the fine detail and deep blacks of a gloss print. Arrives ready to hang.

Best for: Texture and detail — rock, bark, forest, anything intricate.

Fine Art Paper Canson Infinity Rag Photographique, 310 gsm cotton

100% cotton rag, hand-signed, and shipped unframed for your own framer.

Best for: Quieter work, black and white, and anyone with a framer they trust.

Full details on The Prints page →

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Prefer email? hello@jeradrainesphotography.com

Frame 27 of 81

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