Jerad Raines Photography
Wind-sculpted sandstone at Vermilion Cliffs, Arizona

Vermilion Cliffs, Arizona

Windworked

A beautiful pillar of striated, wind-sculpted sandstone somewhere in the South Coyote Buttes area of Vermilion Cliffs. I found the fins in the foreground of this composition quite striking. It was a fairly windy day, and using the fins as inspiration, I went for a long exposure to mimic the sweeping lines in the sky. This was a 164 sec exposure.

Nikon D7200 · Tamron 10-24mm · 10mm · f/11 · 164 sec · ISO 100

Limited Edition Print

Available as a limited edition fine art print, produced on demand in four finishes. Full sizing and materials are on the prints page.

Editions & certificates

Each image is released as a limited edition of 50 — that's 50 pieces total, across every size and every finish combined, not 50 of each. When an edition closes, that image is retired and never offered as a print again. A few signature images are released in smaller editions.

Outside that count, I keep one Artist's Proof of each image for myself. It's occasionally available by private request, at a premium.

Every piece is numbered and comes with a matching signed and numbered Certificate of Authenticity. Paper prints are signed by hand before they ship; the face-mounted pieces travel straight from the lab to you, so the certificate carries the signature rather than the panel.

As an edition sells down, the price steps up. The earliest collectors of an image always pay the least for it.

Full details on The Prints page →

Request a quote

Every piece is made to order. Choose a size and finish and I'll confirm availability, the current edition price, and timing.

Which finish should I choose?

Lumachrome Face-mounted to TruLife acrylic

A layered transparency print, face-mounted to anti-reflective acrylic. The image is printed on clear film over a white reflective base, so light passes through the emulsion twice — inbound and outbound — before it reaches the eye.

Best for: Deep color, dramatic light, anything you want to stop people in a hallway.

Chromaluxe Dye-sublimation on aluminum

Under heat and pressure, the dye passes directly from solid to gas and diffuses into a polymer coating bonded to the panel. The image ends up within that coating rather than sitting on top of it.

Best for: Bright scenes, water, snow, big skies. Also the most durable option.

Supralume High-gloss canvas on aluminum composite

Canvas with the gloss integral to the print rather than varnished on afterward, surface-bonded to an aluminum composite panel. It keeps canvas texture without the detail loss and reduced black density that matte canvas normally costs.

Best for: Texture and detail — rock, bark, forest, anything intricate.

Fine Art Paper Canson Infinity Rag Photographique, 310 gsm cotton

A 310 gsm, 100% cotton rag with a smooth matte surface and no optical brighteners. The most traditional of the four, and the only one I sign by hand before it ships.

Best for: Quieter work, black and white, and anyone with a framer they trust.

Full details on The Prints page →

No payment now — I'll reply with confirmation and next steps.

Prefer email? hello@jeradrainesphotography.com

Frame 16 of 67

More from Desert Southwest

View the full gallery
Eroded bentonite clay spires at Cathedral Gorge State Park, Nevada Basilica Cathedral Gorge State Park, Nevada 01 Banded sandstone at Vermilion Cliffs, Arizona, where iron in the rock lays down bands of red and cream in the same formation Candy Crush Vermilion Cliffs, Arizona 02 Wind-smoothed sandstone with a dark fracture line tracing across it, Red Cliffs Desert Reserve, Utah Sandman Red Cliffs Desert Reserve, Utah 03 Horseshoe Bend near Page, Arizona, where the Colorado River wraps a full turn around a sandstone island a thousand feet below the rim Lucky Page, Arizona 04 Wind-combed ripples across the dunes in Death Valley National Park, California Zen Death Valley National Park, California 05 Snow Canyon cliffs at sunset in Utah Snow Cliffs Ablaze Snow Canyon State Park, Utah 06