Jerad Raines Photography
Snow across the buttes of Monument Valley

Monument Valley

Snow Mittens

Snow across the buttes of Monument Valley. Winter storms here are brief but they change the place completely, and the red rock reads almost graphic against the white.

Nikon D7200 · Sigma 18-35mm · 22mm · f/14 · 2 sec · ISO 100

Limited Edition Print

Available as a limited edition fine art print, produced on demand in four finishes. Full sizing and materials are on the prints page.

Editions & certificates

Each image is released as a limited edition of 50 — that's 50 pieces total, across every size and every finish combined, not 50 of each. When an edition closes, that image is retired and never offered as a print again. A few signature images are released in smaller editions.

Outside that count, I keep one Artist's Proof of each image for myself. It's occasionally available by private request, at a premium.

Every piece is numbered and comes with a matching signed and numbered Certificate of Authenticity. Paper prints are signed by hand before they ship; the face-mounted pieces travel straight from the lab to you, so the certificate carries the signature rather than the panel.

As an edition sells down, the price steps up. The earliest collectors of an image always pay the least for it.

Full details on The Prints page →

Request a quote

Every piece is made to order. Choose a size and finish and I'll confirm availability, the current edition price, and timing.

Which finish should I choose?

Lumachrome Face-mounted to TruLife acrylic

A layered transparency print, face-mounted to anti-reflective acrylic. The image is printed on clear film over a white reflective base, so light passes through the emulsion twice — inbound and outbound — before it reaches the eye.

Best for: Deep color, dramatic light, anything you want to stop people in a hallway.

Chromaluxe Dye-sublimation on aluminum

Under heat and pressure, the dye passes directly from solid to gas and diffuses into a polymer coating bonded to the panel. The image ends up within that coating rather than sitting on top of it.

Best for: Bright scenes, water, snow, big skies. Also the most durable option.

Supralume High-gloss canvas on aluminum composite

Canvas with the gloss integral to the print rather than varnished on afterward, surface-bonded to an aluminum composite panel. It keeps canvas texture without the detail loss and reduced black density that matte canvas normally costs.

Best for: Texture and detail — rock, bark, forest, anything intricate.

Fine Art Paper Canson Infinity Rag Photographique, 310 gsm cotton

A 310 gsm, 100% cotton rag with a smooth matte surface and no optical brighteners. The most traditional of the four, and the only one I sign by hand before it ships.

Best for: Quieter work, black and white, and anyone with a framer they trust.

Full details on The Prints page →

No payment now — I'll reply with confirmation and next steps.

Prefer email? hello@jeradrainesphotography.com

Frame 9 of 14

More from Winter

View the full gallery
Winding Virgin River in Zion National Park during winter Virgin in the Storm Zion National Park, Utah 01 An isolated aspen tree in deep snow during the winter, Grand Teton National Park, Wyoming Flickering Flames Grand Teton National Park, Wyoming 02 Zion National Park Watchman in winter Dark of Winter Zion National Park, Utah 03 Old and dying lodgepole pine during winter in Grand Teton National Park The Nail Grand Teton National Park, Wyoming 04 Teton Mountains at Schwabacher Landing and Snake River reflections Frost Fringe Grand Teton National Park, Wyoming 05 Solitary crow in an aspen tree during winter, Grand Teton National Park, Wyoming Winter Solitude Grand Teton National Park, Wyoming 06