Rushing waterfall outside of Yellowstone

Greater Yellowstone, Wyoming

Beartooth Cascade

We were driving the Beartooth with family, following one of those audio tours that narrates the highway as you go, and it told us to pull off at Lake Creek Falls. From the old bridge, it’s already worth the stop — the creek drops through a channel of dark rock with spruce crowding in on both banks, and you get the whole thing from the railing.

I wanted to be under it instead of over it. The rocks below the bridge are steep and slick. It isn’t far down, but it isn’t a walk either, and I went one hold at a time. From down there, the water fills the frame instead of sitting in it — the wall on the right running orange with lichen, spruce closing off the top, whitewater coming at the lens rather than away from it.

Nikon Z 7II · Viltrox 16mm · 16mm · f/11 · 0.6 sec · ISO 64

Limited Edition Print

Available as a limited edition fine art print, produced on demand in four finishes. Full sizing and materials are on the prints page.

Editions & certificates

Each image is released as a limited edition of 50 — that's 50 pieces total, across every size and every finish combined, not 50 of each. When an edition closes, that image is retired and never offered as a print again. A few signature images are released in smaller editions.

Outside that count, I keep one Artist's Proof of each image for myself. It's occasionally available by private request, at a premium.

Every piece is numbered and comes with a matching signed and numbered Certificate of Authenticity. Paper prints are signed by hand before they ship; the face-mounted pieces travel straight from the lab to you, so the certificate carries the signature rather than the panel.

As an edition sells down, the price steps up. The earliest pieces of an edition carry the lowest price.

Full details on The Prints page →

Request a quote

Every piece is made to order. Choose a size and finish and I'll confirm availability, the price in effect for that edition, and timing.

Buying for a client? See the trade program.

Which finish should I choose?

Lumachrome Face-mounted to TruLife acrylic

The deepest, most luminous finish I offer. It's especially suited to backlit scenes, where the glow comes about as close to the real light as a print can get. Arrives ready to hang.

Best for: Deep color, dramatic light, anything you want to stop people in their tracks.

Chromaluxe Dye-sublimation on aluminum

The most durable finish, with color that reaches beyond what standard prints can show, so bright scenes, water, and big skies come off the panel. Arrives ready to hang.

Best for: Bright scenes, water, snow, big skies. Also the most durable option.

Supralume High-gloss canvas on aluminum composite

Canvas texture with the fine detail and deep blacks of a gloss print. Arrives ready to hang.

Best for: Texture and detail — rock, bark, forest, anything intricate.

Fine Art Paper Canson Infinity Rag Photographique, 310 gsm cotton

100% cotton rag, hand-signed, and shipped unframed for your own framer.

Best for: Quieter work, black and white, and anyone with a framer they trust.

Full details on The Prints page →

No payment now — I'll reply with confirmation and next steps.

Prefer email? hello@jeradrainesphotography.com

Frame 46 of 81

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