Jerad Raines Photography
Water running in a crack of stone in Zion National Park in autumn

Zion National Park, Utah

Arterial

Water flowing through "The Crack" in Zion National Park. Made particularly special by the mix of autumn leaves littering the rocks and adding pops of red and yellow color.

Nikon D850 · Nikkor 16-35mm · 35mm · f/11 · 0.8 sec · ISO 64

Limited Edition Print

Available as a limited edition fine art print, produced on demand in four finishes. Full sizing and materials are on the prints page.

Editions & certificates

Each image is released as a limited edition of 50 — that's 50 pieces total, across every size and every finish combined, not 50 of each. When an edition closes, that image is retired and never offered as a print again. A few signature images are released in smaller editions.

Outside that count, I keep one Artist's Proof of each image for myself. It's occasionally available by private request, at a premium.

Every piece is numbered and comes with a matching signed and numbered Certificate of Authenticity. Paper prints are signed by hand before they ship; the face-mounted pieces travel straight from the lab to you, so the certificate carries the signature rather than the panel.

As an edition sells down, the price steps up. The earliest collectors of an image always pay the least for it.

Full details on The Prints page →

Request a quote

Every piece is made to order. Choose a size and finish and I'll confirm availability, the current edition price, and timing.

Which finish should I choose?

Lumachrome Face-mounted to TruLife acrylic

A layered transparency print, face-mounted to anti-reflective acrylic. The image is printed on clear film over a white reflective base, so light passes through the emulsion twice — inbound and outbound — before it reaches the eye.

Best for: Deep color, dramatic light, anything you want to stop people in a hallway.

Chromaluxe Dye-sublimation on aluminum

Under heat and pressure, the dye passes directly from solid to gas and diffuses into a polymer coating bonded to the panel. The image ends up within that coating rather than sitting on top of it.

Best for: Bright scenes, water, snow, big skies. Also the most durable option.

Supralume High-gloss canvas on aluminum composite

Canvas with the gloss integral to the print rather than varnished on afterward, surface-bonded to an aluminum composite panel. It keeps canvas texture without the detail loss and reduced black density that matte canvas normally costs.

Best for: Texture and detail — rock, bark, forest, anything intricate.

Fine Art Paper Canson Infinity Rag Photographique, 310 gsm cotton

A 310 gsm, 100% cotton rag with a smooth matte surface and no optical brighteners. The most traditional of the four, and the only one I sign by hand before it ships.

Best for: Quieter work, black and white, and anyone with a framer they trust.

Full details on The Prints page →

No payment now — I'll reply with confirmation and next steps.

Prefer email? hello@jeradrainesphotography.com

Frame 8 of 24

More from Autumn Splendor

View the full gallery
Autumn color stacked across the valley near Crested Butte, Colorado, with snow already on the high peaks behind Overload Crested Butte, Colorado 01 Mountain ridgeline of autumn aspen trees in Utah Shift Change Logan, Utah 02 Japanese maple tree without leaves surrounded by autumn trees, Portland, Oregon Limbs Akimbo Portland, Oregon 03 Rabbit Brush blooms illuminated by the last light of Utah golden hour Autumn's Bouquet Logan, Utah 04 Aspen trunks standing in parallel against a gold autumn canopy, Cimarron Ridge, Colorado Gold Bars Cimarron Ridge, Colorado 05 Early snow over autumn color near Logan, Utah, where the frost line cuts across the hillside and the two seasons overlap for a few days Frostline Logan, Utah 06